Then, the output can be shared with post-production houses and all other third parties familiar with the Cineon specification.
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REDlogFilm can also be easily translated back into linear when visual effects, image compositing and color matrix transformations are needed.Ī typical REDlogFilm workflow therefore includes first converting the linear REDCODE® RAW (R3D®) file into one of several standard digital intermediate formats, using REDCINE-X PRO® or other software packages. The particular curve replicates the well-supported response of Cineon film scans, which ensures predictable results with custom LUTs and other post-production software.
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REDlogFilm provides a more standardized starting point for manual grading because it only includes a traditional log curve. Use REDLOGFILM - For Fully Manual Grading If these considerations are important, there’s another option. As a result, such looks can complicate post-production if applied prior to grading or visual effects by third parties. A given look may also depend on the output medium, creative choices and scene content. Just as each film stock had its own characteristic look, a given camera model, software package or production company can all have different styles. On the other hand, a contrast curve is more subjective than the standard log curve. It is therefore an ideal solution when needing a quick turnaround time with dailies and other demo footage. REDgamma4 is therefore a good starting point and typically requires the least color grading. Images will also appear to “pop” since they will seem more three-dimensional: The contrast curve causes shadows and highlights to more pleasingly roll off into black and white, respectively, and improves contrast and color saturation within the more visually important mid-tones. To give images the more pleasing and familiar toe and shoulder characteristics of film tones, REDgamma and similar settings are the net result of both a standard log curve and a contrast curve: With RED®, the gamma setting may also be comprised of other tonal curves.
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